![\"\"](\"http:\/\/www.stylediary.ro\/wordpress\/wp-content\/uploads\/2012\/07\/tumblr_m22iuhJ1Dc1r8h2j3o1_500.jpg\" "\\"Lectura")
<\/a><\/p>\nIar apoi va puteti intoarce la recomandarile obisnuite de lectura, cu o cafea sau o limonada rece…<\/p>\n Schiap’s house reborn<\/em> – \u201cThe mover and shaker behind the rebirth of the house of Schiaparelli is Diego Della Valle of Tod\u2019s, who has created a buzz about the brand without a single product being laid out on the 1940s-style table or reflected in the gilded mirrors that once belonged to Schiap\u2019s admirer, Yves Saint Laurent.\u201d In NY Times.<\/a><\/p>\n Haute potato: Paris Couture report<\/em> – „What is couture’s place in socialist France? The answer, from the industry, is two-fold. First, take a look at the front row: most of couture\u2019s clients are neither French nor even western European.\u00a0 Second: this isn\u2019t indulgence, it\u2019s the preservation and continuation of a French tradition of craftsmanship and savoir-faire, part of this country\u2019s patrimoine<\/em>, and as such, should be valued like any art form.” In Financial Times.<\/a><\/p>\n Inside the limo with Anna dello Russo<\/em> – \u201cAnna Dello Russo is a veteran Italian fashion editor who has become an internet superstar thanks to her exhibitionist penchant for classic high-fashion and extreme hats.\u201d In The Telegraph.<\/a><\/p>\n Vintage for today? – <\/em>\u201c\u2018New vintage \u2014 for today,\u2019 said Mr. Lagerfeld, referring to a flow of high-waisted, wide pants that might have come from hazy photographs of a mademoiselle in Deauville but were, in fact, invented in one of the designer\u2019s gouache drawings\u201d In International Herald Tribune.<\/a> <\/p>\n Luxury must become interactive to survive<\/em> – \u201cAt first, luxury and technology\u00a0don\u2019t seem to be natural bedfellows. Luxe is defined by exclusivity, whereas\u00a0tech\u00a0is invariably mass market \u2014 and although it doesn\u2019t always want to be seen, it still needs to have its output firmly felt.\u201d In Wired<\/a>.<\/p>\n It’s a man’s world at Mr. Porter<\/em> – \u201cWe wanted a website where men felt very comfortable; a man\u2019s world where nothing feels like a hard sell. With women you can say, this is the handbag of the season \u2013 and they love it. Men prefer a softer sell.\u201d In The National<\/a>.<\/p>\n Couture is seeding itself<\/em> – \u201cDiscreetly, almost imperceptibly, haute couture has re-seeded itself, without any artificial insemination.\u00a0Across the fashion world, houses built on ready-to-wear are exploring the possibilities of, or just quietly joining, the universe of high fashion.\u201d In International Herald Tribune.<\/a><\/p>\n Reeinventing the heel – <\/em>„Forget the stiletto, the wedge or the stacked heel: this season\u2019s shoes are supported by dancing figurines, upturned lipstick tubes and even butterfly wings. There is fun to be had blurring the lines between art and fashion.” In Financial Times.<\/a><\/p>\n The Czarinas are back<\/em> – „\u201cAccording to a Style.com\u00a0assessment\u00a0of the Russian Fashion Pack, as they are sometimes called, no one on the show circuit, with the exception of Anna Dello Russo, \u2018changes outfits more often or with more look-at-me enthusiasm than this group of designers, bloggers and scenemakers.\u2019\u201d In NY Times.<\/a><\/p>\n All the world’s a stage<\/em> – \u201cIf all the world\u2019s a stage, the Milan designers found a way to put simple, modern clothes into different contexts. And Brioni, since it was bought by the PPR luxury group, has burnished its offerings and apparently lowered the age range.\u201d In International Herald Tribune.<\/a><\/p>\n<\/a><\/p>\n
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