![\"\"](\"http:\/\/www.stylediary.ro\/wordpress\/wp-content\/uploads\/2012\/04\/Povestile-unei-inimi_m12.jpg\" "\\"Povestile-unei-inimi_m12\\"")
<\/a><\/p>\nMergeti astazi in prima librarie care va iese in cale, cautati „Povestile unei inimi”<\/a>, cartea Dianei Florina Cosmin si cumparati-o. Nu va spun mai mult, veti intelege de ce – doar ca la finalul lecturii veti avea sufletul la gura, va veti gandi altfel la ce inseamna „contratimp”, veti vrea , vorba unei prietene, sa va dati o sansa pentru a trai primaveri, dimineti, nopti, viata cu cineva frumos (chiar si zile innorate ca cea de azi…)<\/p>\n <\/p>\n Ca sa nu dam in sirop si lacrimi, ne scuturam si purcedem la lectura zilei, da?<\/p>\n Men behind the monogram<\/em> – \u201cMarc Jacobs\u2019s train of thought has been a fascinating one since he stepped on board the Louis Vuitton express in 1997 as an American artistic director of the French luxury house.\u201d In The Islander<\/a>.<\/p>\n Interview with Sarah Burton<\/em> – \u201cWhen Sarah Burton was named Creative Director of Alexander McQueen in May 2010, she was charged with a task that many thought impossible\u2026 \u00a0It was Burton who, despite the circumstances, helped shepherd to completion McQueen\u2019s last collection for Fall 2010, which was in progress when he died.\u201d In Interview<\/a><\/p>\n Inside the mind of Salvatore Ferragamo’s new creative head<\/em> – \u201cCreating a global wardrobe is just the tip of the role Giornetti was handed two years ago. Having been a menswear designer for the brand for 10 years, working his way up to head the division, Giornetti took over the helm of womenswear too in July 2010 after a series of creative directors had failed to make a lasting impact with their collections.\u201d In The Independent<\/a>.<\/p>\n „Am I doing this right?”<\/em> – \u201cClare Waight-Keller became creative director of Chlo\u00e9 in May 2011, moving her young family to Paris from London, where she had held the same post at Pringle of Scotland. Jerry Stafford is stylist to Tilda Swinton and creative director at the film and advertising production company Premiere Heure.\u201d\u00a0 In Financial Times.<\/a><\/p>\n The eye of beauty, revisited<\/em> – „\u201cHerb Ritts died nearly 10 years ago, at age 50. Since then the world that he dominated as a photographer \u2014 fashion, beauty, celebrity \u2014 has changed dramatically, leaving a stillness where his energetic ideas once existed.\u201d In NY Times<\/a>.<\/p>\n Riding the tiger of luxury<\/em> – \u201cSince the 2009 downturn, the luxury sector has enjoyed a turbo-charged recovery, helped by Asian consumers buying high-end watches and the priciest jewelry.\u00a0One of the biggest beneficiaries has been Cartier, the world\u2019s biggest branded jewelry company by sales, and the jewel in the crown of Swiss-based luxury group\u00a0Compagnie Financiere Richemont.\u201d In Wall Street Journal<\/a><\/p>\n A silk road<\/em> – \u201cAt the time, perhaps Ms. Kauffman didn\u2019t realize she was grooming the young man to become one of the most successful young fashion designers of this decade. Already, at only 29 years old, Wu has established his own eponymous private fashion label; been a finalist in the\u00a0Council of Fashion Designers in America (CFDA)\/Vogue Fashion Fund\u00a0in 2008; and dressed countless celebrities and starlets for public appearances over the years.\u201d In Montecristo<\/a><\/p>\n A guide to China’s takeover of fashion’s front row<\/em> – \u201cAt the\u00a0Christian Dior show\u00a0this past Paris Fashion Week, Jessica Michault tweeted\u00a0a photograph\u00a0of five unknown (to us) gorgeous Chinese women sitting together in the front row, with the caption \u2018The future of the fashion world\u2019s front row.\u2019 And she\u2019s right.\u201d In Fashionista<\/a>.<\/p>\n Proenza Schouler on the move<\/em> – \u201cJust this month the Council of Fashion Designers of America announced that McCollough and Hernandez once again are finalists in the trade group\u2019s prestigious annual competition, a distinction that seems to be becoming routine\u2026\u00a0And, thanks to new investors, they are entering a new phase of growth, with retail stores and an even wider range of clothing and accessories on the horizon.\u201d In LA Times<\/a>.<\/p>\n Fashion forward<\/em> – „\u201cFlogging fashion is like selling fish, as Amancio Ortega, the founder of Inditex, likes to say. Fresh fish, like a freshly cut jacket in the latest colour, sells quickly and at a high price. Yesterday\u2019s catch must be discounted and may not sell at all.\u00a0This simple insight has made Inditex one of the world\u2019s two biggest clothes makers. \u201d In The Economist.<\/a><\/p>\n Only the half of it<\/em> – \u201cSkirts\u2019 very multiplicity, emblematic of a fashion landscape in which no single style or trend prevails, is acting as catnip to consumers, who are combining skirts, long and short, slim and wide, plain and patterned, with pieces varying from tank tops to mannish shirts, from turtlenecks to blazers.\u201d In NY Times<\/a>.<\/p>\n Flamenco is part of our identity <\/em>– „\u201cStuart Vevers, 38, has been creative director at the LVMH-owned Loewe, often described as the \u2018Spanish Herm\u00e8s\u2019 because of its focus on luxury leather, since 2008.\u201d\u00a0 In Financial Times.<\/a><\/p>\n Junya Waranabe: a delicate subject<\/em> – \u201cJunya Watanabe\u2019s treatment of lace \u2013 the most classic and resonant of all the haute couture fabrics \u2013 is far from predictable or banal. Lace, of course, carries with it a symbolism that is unparalleled \u2013 lace for christenings, lace for weddings, funereal black lace. It is an important addition, then, to any woman\u2019s wardrobe and even life.\u201d In The Independent.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" Imi place sa cred c-am invatat sa fac loc iubirii in viata mea, dar inca ma mai rasfat cu placerea de a astepta anumite lucruri si anumiti oameni. Fara teama, doar savurand bucuria sosirii lor intr-o viata pe care m-am straduit s-o chivernisesc cat mai atent. La 16 ani, ideea ca voi avea de asteptat […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3191],"tags":[],"class_list":["post-8644","post","type-post","status-publish","format-standard","hentry","category-the-stylish-bookshelf"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/posts\/8644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/comments?post=8644"}],"version-history":[{"count":1,"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/posts\/8644\/revisions"}],"predecessor-version":[{"id":16633,"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/posts\/8644\/revisions\/16633"}],"wp:attachment":[{"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/media?parent=8644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/categories?post=8644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/tags?post=8644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<\/a><\/p>\n<\/a><\/p>\n