{"id":7016,"date":"2011-07-18T08:13:18","date_gmt":"2011-07-18T08:13:18","guid":{"rendered":"http:\/\/www.stylediary.ro\/wordpress\/2011\/07\/18\/arta-in-slujba-modei\/"},"modified":"2013-06-11T09:13:21","modified_gmt":"2013-06-11T06:13:21","slug":"arta-in-slujba-modei","status":"publish","type":"post","link":"https:\/\/www.stylediary.ro\/wordpress\/2011\/07\/18\/arta-in-slujba-modei\/","title":{"rendered":"Arta in slujba modei"},"content":{"rendered":"<p>Product placement intr-o campanie publicitara relativ inspirata (&#8222;relativ&#8221; pentru ca poate au mizat pe a uimi gospodinele cosmopolite? cand de fapt ideea nu e deloc originala! Sau poate si-au imaginat ca studentele la istoria artei isi vor cumpara aceste accesorii?).<\/p>\n<p>Putin nudism estetic, frumusete clasica vag erotica, poate asta vinde mai bine bratarile Hermes? V-ati simti incurajate sa:<\/p>\n<p>a. cumparati bratarile<\/p>\n<p>b. vizitati un muzeu sau<\/p>\n<p>c. cititi despre Nevermore-ul din Tahiti al lui Gauguin, despre Odalisca lui Ingres sau despre Gratiile lui Cranach?<\/p>\n<p>Amaury Duval, Baigneuse Antique (1860)<\/p>\n<p style=\"text-align: center;\" align=\"center\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"Arta in slujba modei\" src=\"http:\/\/www.stylediary.ro\/wordpress\/wp-content\/uploads\/2011\/07\/amaury-duval.jpg\" alt=\"Amaury Duval, Baigneuse Antique (1860)\" width=\"490\" height=\"329\" \/><\/p>\n<p align=\"left\">\u00a0Gustave Courbet, La femme au perroquet (1866)<\/p>\n<p style=\"text-align: center;\" align=\"center\">\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"Arta in slujba modei\" src=\"http:\/\/www.stylediary.ro\/wordpress\/wp-content\/uploads\/2011\/07\/courbet1.jpg\" alt=\"Gustave Courbet, La femme au perroquet (1866)\" width=\"490\" height=\"613\" \/><\/p>\n<p align=\"center\"><!--more--><\/p>\n<p align=\"left\">\u00a0Jean-Auguste Dominique Ingres, La grande odalisque (1814)<\/p>\n<p style=\"text-align: center;\" align=\"center\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"Arta in slujba modei\" src=\"http:\/\/www.stylediary.ro\/wordpress\/wp-content\/uploads\/2011\/07\/hermes-enamel-bracelets-2.jpg\" alt=\"Jean-Auguste Dominique Ingres, La grande odalisque (1814)\" width=\"490\" height=\"613\" \/><\/p>\n<p align=\"left\">Francisco Goya, La Maja desnuda (1800)<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" title=\"Francisco Goya, Maja desnuda (1800)\" src=\"http:\/\/www.stylediary.ro\/wordpress\/wp-content\/uploads\/2011\/07\/goya2.jpg\" alt=\"Francisco Goya, Maja desnuda (1800)\" width=\"490\" \/><\/p>\n<p align=\"left\">Amedeo Modigliani, Nu couche de dos (1917)<\/p>\n<p align=\"center\">\u00a0<img decoding=\"async\" title=\"Amedeo Modigliani, Nu couche de dos (1917)\" src=\"http:\/\/www.stylediary.ro\/wordpress\/wp-content\/uploads\/2011\/07\/modigliani.jpg\" alt=\"Amedeo Modigliani, Nu couche de dos (1917)\" width=\"490\" \/><\/p>\n<p align=\"left\">\u00a0Paul Gauguin, Nevermore O Tahiti (1897)<\/p>\n<p align=\"center\"><img decoding=\"async\" title=\"Paul Gauguin, Nevermore O Tahiti (1897)\" src=\"http:\/\/www.stylediary.ro\/wordpress\/wp-content\/uploads\/2011\/07\/hermes-enamel-bracelets-8.jpg\" alt=\"Paul Gauguin, Nevermore O Tahiti (1897)\" width=\"490\" \/><\/p>\n<p align=\"left\">\u00a0William Adolpe Bouguereau, La Vague (1896)<\/p>\n<p align=\"center\"><img decoding=\"async\" title=\"William Adolpe Bouguereau, La Vague (1896)\" src=\"http:\/\/www.stylediary.ro\/wordpress\/wp-content\/uploads\/2011\/07\/hermes-enamel-bracelets-10.jpg\" alt=\"William Adolpe Bouguereau, La Vague (1896)\" width=\"490\" \/><\/p>\n<p align=\"left\">William Adolpe Bouguereau, Biblis (1884)<\/p>\n<p align=\"center\"><img decoding=\"async\" title=\"William Adolpe Bouguereau, Biblis (1884)\" src=\"http:\/\/www.stylediary.ro\/wordpress\/wp-content\/uploads\/2011\/07\/william-adolphe-bouguereau.jpg\" alt=\"William Adolpe Bouguereau, Biblis (1884)\" width=\"490\" \/><\/p>\n<p align=\"left\">Eduard Manet, Olympia (1863)<\/p>\n<p align=\"center\">\u00a0<img decoding=\"async\" title=\"Eduard Manet, Olympia (1863)\" src=\"http:\/\/www.stylediary.ro\/wordpress\/wp-content\/uploads\/2011\/07\/hermes-enamel-bracelets-3.jpg\" alt=\"Eduard Manet, Olympia (1863)\" width=\"490\" \/><\/p>\n<p align=\"left\">Jean-Jules Antoine Lecomte du Nouy, L&#8217;esclave blanche (1888)<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" title=\"Jean-Jules Antoine Lecomte du Nouy, L\u2019esclave blanche (1888)\" src=\"http:\/\/www.stylediary.ro\/wordpress\/wp-content\/uploads\/2011\/07\/jean-jules-antoine-lecomte-du-nouy.jpg\" alt=\"Jean-Jules Antoine Lecomte du Nouy, L\u2019esclave blanche (1888)\" width=\"490\" \/><\/p>\n<p style=\"text-align: left;\" align=\"left\">\u00a0Lucas Cranach cel Batran, Cele trei gratii (1531)<\/p>\n<p style=\"text-align: center;\">\u00a0<img decoding=\"async\" title=\"Lucas Cranach cel Batran, Cele trei gratii (1531)\" src=\"http:\/\/www.stylediary.ro\/wordpress\/wp-content\/uploads\/2011\/07\/hermes-enamel-bracelets-12.jpg\" alt=\"Lucas Cranach cel Batran, Cele trei gratii (1531)\" width=\"490\" \/><\/p>\n<p style=\"text-align: left;\" align=\"left\">Sursa foto: hermes.com<\/p>\n<p style=\"text-align: left;\" align=\"left\">Citeste si:<\/p>\n<p style=\"text-align: left;\" align=\"left\"><strong><a href=\"http:\/\/www.stylediary.ro\/wordpress\/2009\/08\/05\/sacs-de-maitres\/\" target=\"_blank\">{Sacs de maitres}<\/a><\/strong><\/p>\n<p style=\"text-align: left;\" align=\"left\"><a href=\"http:\/\/www.stylediary.ro\/wordpress\/2009\/07\/21\/lectie-de-istoria-artei\/\" target=\"_blank\"><strong>{Lectie de istoria artei}<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Product placement intr-o campanie publicitara relativ inspirata (&#8222;relativ&#8221; pentru ca poate au mizat pe a uimi gospodinele cosmopolite? cand de fapt ideea nu e deloc originala! Sau poate si-au imaginat ca studentele la istoria artei isi vor cumpara aceste accesorii?). Putin nudism estetic, frumusete clasica vag erotica, poate asta vinde mai bine bratarile Hermes? V-ati [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[12],"tags":[2128,2130,2125,2122,2124,2134,2133,2129,2123,2126,2131,2127,2132],"class_list":["post-7016","post","type-post","status-publish","format-standard","hentry","category-fashion-as-art","tag-amaury-duval","tag-amedeo-modigliani","tag-arta","tag-bratari-hermes","tag-courbet","tag-cranach-cel-batran","tag-eduard-manet","tag-francisco-goya","tag-ingres","tag-istoria-artei","tag-paul-gauguin","tag-tablouri","tag-william-adolpe-bouguereau"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/posts\/7016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/comments?post=7016"}],"version-history":[{"count":0,"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/posts\/7016\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/media?parent=7016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/categories?post=7016"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.stylediary.ro\/wordpress\/wp-json\/wp\/v2\/tags?post=7016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}